Two (three?) announcements this week:
1. If you haven't noticed, I changed the title and layout of the blog. If you read my post explaining the original title, well...I changed my mind. It happens.
"The Weight" comes from Allen Ginsberg's
Song, my favorite poem not written by
Billy Collins.
1.5. The new layout is partly due to the fact that I'm launching a new project blog! I've been following (stalking) similar blogs via facebook and Pinterest, and, as I've been trying my hand at a number of different activities lately, I thought they would be fun to document and share. So stay tuned for
Idle Hands, coming soon! I'll include a link and soon as I start posting.
2. Re: my resolution! I've finally finished Book #1,
Watership Down, and enjoyed it thoroughly. Turns out the book was "written" originally when the author began making up a story for his daughters on a long car trip. It's mostly a children's story, but with enough substance that I had no trouble getting through it. For the most part, it's relatively light subject matter: a group of rabbits decides to leave their home warren and make a perilous journey to build a new one; the action is spiced up by the fact that one of the rabbits is clairvoyant (of sorts) and they meet all sorts of interesting challenges, traps,
elil (enemies: fox, stoats, etc.), and the insurmountable General Woundwort of the militant Efrafra Warren nearby. Delicious.

I had a few favorite parts: first, that the rabbits were anthropomorphic in a unique way. They weren't
human animals like
Redwall or
Disney; they didn't do anything that normal rabbits can't. They don't wear clothes, or talk to humans, or understand basic concepts like how a boat floats. However, they do have their own language (Lapine), customs, and folklore: every few chapters included a story featuring the rabbit folk hero
El-ahraiarah and his mischievous and brave exploits.
El-ahrairah is actually the perfect example of both the Lapine language and culture: his name is a combination of the words
elil (enemy),
hrair (a thousand, or "any number over four" because that's how high rabbits can count. Five or more is simply "hrair" or "many") and
rah (the suffix attached to the end of the name of the Chief Rabbit, or "prince"). So, he is, in effect,
elil-hrair-rah (enemy-many-prince) or the Prince of a Thousand Enemies. From his portrayal in the rabbits' tales he reminded me very much of a
Loki,
Anansi or
Coyote-type "trickster" character (depending on which tradition you're more familiar with), except as a hero to his people (stealing lettuce from the cruel king, etc.) instead of an agent of chaos. I enjoyed these stories very much.
The second thing that really struck me was a very brief emotional moment. For the most part, dealing with rabbits, it was hard to be emotionally invested. I liked the characters, certainly, and was pulling for their ultimate success. But I wasn't intimately affected by their troubles. Except for one part. The main rabbits establish their new warren on Watership Down, but realize that the don't have any does (women!) in order to reproduce. They decide to visit a nearby overcrowded warren to see if they can turn on the charm and persuade some of the lovely ladies to come home with them. Unfortunately for Hazel-rah and his fellows, the nearby warren is Efrafra, run by the power-hungry control freak General Woundwort. His warren is run with military precision in order to avoid detection by humans or
elil; despite the overcrowding he refuses to let neither his does nor the Watership Down ambassadors to leave. At one point, one of the Watership rabbits comes across an Efrafran doe in the oppressed warren. In an overcrowded warren, the tension affects the does first, rendering them aggressive and even infertile. She sings a song about the sadness of her infertility, a mourning song. What struck me about this passage is that it's communicated with such an acute sense of true despair---this lost motherhood---from a
rabbit.
"The frost is falling, the frost falls into my body.
My nostrils, my ears are torpid under the frost.
The swift will come in the spring, crying "News! News!
Does, dig new holes and flow with milk for your litters."
I shall not hear. The embryos return
Into my dulled body. Across my sleep
There runs a wire fence to imprison the wind.
I shall never feel the wind blowing again." (p. 319-20)
Yes, I experienced an emotional reaction to that. Weird, right?
Anyway. I recommend it, especially if you're looking for something light and fun. Endearing. That's probably the best word.
 |
The actually is such a thing as a person being
"too good." Or a whole family of people. |
Next up: well, it should have been Little Women. I picked it up again last night and tried to read a few chapters; I just can't. I fell asleep. Here is my summary (from memory!) of the book:
1. Jo and Laurie are the only two remotely
interesting characters.
2. Beth is the nicest.
3. Amy is annoying.
4. Meg isn't really worth mentioning.
5. Beth dies.
6. Laurie and Amy (still annoying!) end up
together.
7. Jo ends up with some old guy with a beard.
Conclusion: LETDOWN.
Save some time, just go watch the movie starring Winona Ryder as Jo and a young (and extremely good-looking) Christian Bale as Laurie (why? WHY, Louisa May Alcott? It was meant to be! Freaking Transcendentalist.)
Moving on.
Thus, my next book is:
 |
| Sufficiently creepy. |
The House of the Spirits
Isabel Allende
I have high hopes.